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0:004:128:24
Passage 160%Personal Stakes
0:00 to 0:27A powerful reaction, one way or the other, is infinitely [music] preferable to me than pleasing everybody. Most of the people I met who've been in the television [music] industry for a long time, their greatest fear is that they will not be in the television [music] industry next year. That they'll say something or do something or make a decision that will be so unpopular that they will lose their gig >> Like a celestial nipple. >> and won't end up back on television again.
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Passage 5 · 1:35-2:18
Why >> [music] >> settle for less? And by the same token, when you're given that much freedom and you're you [music] you have essentially no interference and nothing but support behind you, what you don't want [music] to do is get lazy and bored and sloppy. Uh to me, I'd much rather not make TV at all or make even unsuccessful TV, than make competent television. You know, it's very easy to make a conventional [music] travel or food show at this point. It's the same shot sequence and the [music] same sort of limited terminology. You know how all of their little pieces work, where you have
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Passage 1 · 0:00-0:27
A powerful reaction, one way or the other, is infinitely [music] preferable to me than pleasing everybody. Most of the people I met who've been in the television [music] industry for a long time, their greatest fear is that they will not be in the television [music] industry next year. That they'll say something or do something or make a decision that will be so unpopular that they will lose their gig >> Like a celestial nipple. >> and won't end up back on television again.